So I originally designed this to keep my cat from knocking all my steel guitar picks and bar onto the floor and batting them into her secret black hole portal… and it does a fine job of that.
But the real killer feature is I can put on all my thumb picks in one quick motion. Often the hardest part of regular practice is getting started. Less friction = more practice.
On my Fender dual pro, I have a smaller version that I stick on to the guitar with mounting putty, which helps me get ready to play in no time at all. The bar can just rest in the tuner pan, as has been the way for generations before me.
I started with volume/tone control boxes, then volume-only control boxes, and now it only seems natural to go the “purest” form: a simple 1/4″ input jack enclosure for the various pickups you might encounter. And if you’re like me, you no doubt have a dusty drawer full of them: Krivo, DeArmond, Stimer, Kent, and so on. Why do we do this? Who knows.
More news on the DeArmond control box front: I started making these more compact volume-only control boxes. Available in the store.
Why? The original DeArmond FHC pickups only had a single volume control knob. Minimalism at its best. After all, you can set tone on the amp. Personally, I don’t mess with tone much in the middle of my playing… too complicated. I’ll leave that sort of thing to Jerry Byrd and Danny Gatton.
I used AI upscaling to bump this video up to 1080p. The AI also did a great job of removing noise, and a decent job sharpening up edges. I then used some old-fashioned video editing to enhance the colors. Nothing I could do about the fact that someone forgot to turn on the lights halfway through!
The audio was also processed. The source video was a bit out of sync. I did better, but it was tricky to get right for reasons I’ll get into later. Also amplified the audio, added some EQ, and removed the hiss from the background.
Anyway, I didn’t work miracles, but it’s still way better than any other version of it out there. It’s fun to see the furrow of Django’s brow as he plays his legendary solo.
A few realizations working on this video:
This video is not, in fact, live. At least not all of it. You can hear a clear splice when Django’s solo begins.
There’s also a part in the guitar intro that’s impossible to sync with Django’s fingers. My only explanation is that it’s dubbed.
Have you ever wondered what Django Reinhardt looked like in color?
I’ve been very fascinated with AI image processing, specifically upscaling and colorization of old black and white photos. Having looked into a few open-source libraries, DeOldify kept coming up with the most impressive results.
The first images I thought to throw at DeOldify were those of my hero Django Reinhardt, of course. There are few color photos of him. In my obsession with his music, I’ve stared at these images a lot and seeing them in color is truly surreal for me. I hope it is for you too. Enjoy!
First a couple of stills from the classic 1939 J’attendrai video: one of only two known live videos of Django. Fans know it well:
Next, some of my favorite shots of Django, where he’s uncharacteristically playing an Archtop in lieu of his usual Selmer petit bouche:
This was Fred Guy’s Levin Deluxe guitar, which Reinhardt borrowed for a visit to the US. The AI did an amazing job. Look at the flame on the sides of that guitar!Another shot of the Levin Archtop and the day’s sports section. The guitar was auctioned a few years back. Anyone know who got it?Continue reading “Django Reinhardt en couleur”
If you’re a jazz guitarist you’ve probably experienced this: a band member calls a tune, then casually looks over at you and asks, “got a little intro for this?”. In a matching casual tone you respond, “yeah, sure,” hiding the swift internal panic you are, no doubt, really feeling.
Matt Munisteri – fretboard magician
An “intro”? Now what? There’s an endless galaxy of possibility and now it’s your job to come up with a succinct, crystal-clear, improvised micro-composition before the band starts looking at their watches.
To be honest, I never really formally explored the matter until now. But having transcribed a few nice intros from the masters, I may have some suggestions on the business of starting a song.
In a Coronavirus pandemic world, working on guitar-related projects suddenly seems a bit… frivolous. Thanks to some cool 3d-printed life-saving solutions hitting the news during this time, my mind has shifted towards PPE (Personal protective equipment). Specifically, protective face masks which are difficult to come by these days.
Do your worst, large droplets
Now before I get the lecture: no, these are no replacement for N95 masks, which are designed to filter airborne particles of down to .3 microns. I see this as more of a solution for people trying to navigate in public without infecting anyone else and lowering your chances of inhaling large droplets from other folks coughing or sneezing. Also, if you make your own masks, you don’t have to go out and buy them reducing stock that should probably go to medical professionals. Finally, it’s better than nothing.
Another quickie: I finally lost the battery cover to my AT Pro 70 lavalier microphone. Whipped this up right quick and sent it to the printer. Got the dimensions and curvature right on the first try!
If you rather just purchase one from me, head over to the store, where apparently I’m the leading supplier of AT lavalier microphone parts and accessories in the world. This is the life I have chosen.
There I was, minding my own business/not buying things when pal Nick Rossi. (who BTW, is a fantastic early jazz guitarist and scholar here in SF worthy of your internet stalking) sent me a Craigslist ad for this:
